Tag Archives: Band


May 8th, 2009


Into The Dark is a brooding and moving selection of folk rock tracks that has the ability to build up to epic proportions. Harmonies are ever present and the music is tight and sounds effortless; a very sophisticated and mature effort that the London four-piece can feel proud of.

Man, a perfect opener for the four-track EP consists of gloomy undertones and thought provoking lyrics of despair with Phil Fiddle’s fiddle perfectly holding the music together throughout the song, which is brilliantly finished by an immense, escalating wave of sound. Goldmine has heavy usage of harmonies and, combined with the music, carries a feeling of being knocked down and getting up again; an oddly inspiring piece. Let Yourself Love carries a strong sense of desperation and has single potential all over it, exceptional lyrics and touching melodies that seem to get beneath your skin. Shine is reminiscent of some country-esque Conor Oberst work; with nice and gentle music carrying the softly spoken words, which seems to resemble quiet after the emotional storm of the previous tracks.

Most of the record has a feel of something dark and ominous, but always welcoming; with talented song writing and musicians it results in some of the best folk rock in a long time. 7/10.

  • To find out more about Cherbourg visit their MySpace page.
  • Into The Dark is released on 1st June through Chess Club records.




April 23rd, 2009


As they prepare for their UK tour with Friendly Fires, Hockey talk to me about being back here, their upcoming album, thoughts on their success so far and hopes the future. They also mention that they’ve added Glastonbury to their already impressive list of festivals this summer.

 

Tom: Hey guys, how are you doing? You’ve only been back in England for a few days…

Jerm: Yeah we’ve been here since Sunday, so this is day four. The first day we were zombies we played Saturday night in San Fransicso and didn’t go to sleep we had to be at the airport at 5am on Sunday morning; we flew all day and night and when we got here it was morning again! So we stayed up all day on Sunday here, just totally out of it, we went to the Tate museum and looked at some stuff.

Anthony: That is something I recommend; if you ever have travel delirium where you haven’t slept for three days just go to a surreal art gallery and it’s like you’re on mushrooms or something! Everything started moving it was like ‘Wow, art is wonderful!’

Tom: Hah, you’re meeting up with Friendly Fires over here, aren’t you?

Ben: Yeah, we’re meeting up over here in England for a tour and that’s starts Friday, no Saturday, in Bristol. We played the Cooler in Bristol once before in February with Passion Pit, so already been over there once; it’s really cool actually. I think there’s a University there and that’s where we’re playing, so it’s really exciting.

Tom: So you guys are around here for a month or so, finishing your tour in late May. Are you thinking of going anywhere else with Friendly Fires or is it just going to be the UK?

All: Just UK.

Tom: Ah cool, I know you have The Great Escape festival planned for late May, do you have any other festivals lined up?

Jerm: Yeah we do, we just found out we’re doing Glastonbury. We’re also doing T in the Park, Oxegen, some festivals back in the States, Hove and some in Germany, Sweden and Norway.

Anthony: In the States we’re doing Lollapalooza, Sasquatch and Bonnaroo; Phish are doing a couple of shows there so that’s a massive deal!

Tom: Now, your albums been pushed back, it’s not coming out till August now.

Ben: Yeah, that sounds bad. We’re not sure what to think of that, but it’s probably okay, I think it’s all for the best.

Anthony: I think the dates like August 24th, they’re not going to put it back again we swear; we’ll trash this place!

Tom: Yeah well it says a lot that you’ve been able to book so many festivals without an official album; I know a lot of festivals are hesitant about using bands until they hear debut albums so it’s good you’ve managed to get so many. If you’re playing Glastonbury, does that mean you’re thinking of sticking around in the UK for some of the summer?

Jerm: Yeah, I think so; I think we’re only going home for one or two shows. One in Portland and then Sasquatch in Washington and then we’re coming back.

Tom: Cool, obviously you did the demo yourself, did you find that any of your creative freedom has been limited since you singed to Capital/Virgin for working on the official release?

Ben: Well no because all we had to do was the remixing from our demo. That was the cool thing when we signed with them, it didn’t feel scary because they wanted the album the way we made it.

Jerm: I mean we recorded some songs at a proper studio in Portland, but we specified that Ben produced the demo and we wanted Ben to produce whatever we did.

Ben: Yeah we learned after that the company was afraid that we were going to make changes.

Jerm: It was a really good situation where we had something that represented what we did. It’s not like there’s a record that doesn’t exist yet and they’re like ‘We want this producer and these arrangements for these songs’ or something like that. A lot is up to us.

Tom: It’s a pretty impressive thing, there aren’t many bands that just recorded an album themselves, put it out and then suddenly catch the attention of some Major’s. How does it make you feel? It must be so surreal.

Ben: Yeah, it’s pretty ideal I guess!

Jerm: I think it’s a new era for music where stuff like recording equipment’s easier and it’s kind of trickled down to people like ourselves where, you know, we just did the record in our basement, in our house in Portland. I think it’s a good testament to having a laptop and Pro-tools set up. It was good you know, because in the studio you’re paying by the hour, by the day, by the week but at home you can totally lose your mind you know, and we did. We spent a week just trying to find the right snare sound; putting a mic all around the room-

Anthony: - that god-damn snare sound!

Jerm: Yeah we did all kinds of things to do the mic; put a sock over it, put anything over it. Most bands can’t wait to rush in to a studio and get it cut within two weeks otherwise its going to cost them their entire budget so that was really cool.

Tom: I’m guessing for when you next work on a record you’re going to try and keep low key and under the radar, like for your first album?

Ben: Yeah we hope it will be the same kind of thing, though maybe with a few more microphones or something.

Hockey

Tom: Ben and Jerm, it was you two that started the band off in LA, what made you decide to go Washington?

Jerm: We had a friend from college who lived out there, who we initially wanted to have in the band but it didn’t work out. Basically we just wanted to put a band together for what we were doing, which was very stripped down and became kind of theatrical; kind of like some like Hip Hop DJ’s where it’s not as much about the sound but more the attitude, and everyone wanting to have a good time and stuff. I think we wanted to start writing more straight forward songs, things less pent on live energy; songs like Song Away, more straight forward and an easier way of expressing our band.

Tom: Yeah, so what was it that made you decide to leave Washington for Portland if you already had your band together? Was it Portland’s great music scene?

Ben: I think that was definitely part of it, going to a place that had a great alternative scene, very arty and stuff, and we just thought if we could be a part of that then we’d really be making strides because although Washington was a lovely place to live it’s also kind of off the map. So that and we also happened to have one of Anthony’s friends live there and working for a band there and he just said Portland would be a really good place for us, and Portland’s a great place.

Tom: You guys have a huge list of influences, from Fleetwood Mac to MIA, do they play a big role in your sound or do you just try to do your own thing?

Jerm: Yeah, I always say Fleetwood Mac!

Anthony: I think when people ask us what our influences are we each give our own personal influences but that doesn’t really hold much bearing in the direction of the music. You know, Ben does most of the writing and especially production, so when I say I like Phish, you know, it’s kind of a half joke because our band clearly doesn’t sound anything like Phish!

Jerm: Yeah I think it’s also pretty random, I wouldn’t say we set out to sound any specific way, we just fill our heads with all kinds of music; whatever we happen to be into at the time. It’s not necessarily like we’re going to sound like this band or we want do this sort of thing, we’re just sort of throwing everything together and mixing it up in a big pot. I think the albums like that.

Tom: Now in the UK you’re signed to Virgin, do they have a big role whilst you’re over here or is it still mainly run by Capitol?

Ben: Virgin have a pretty hefty role actually –

Jerm: - I’d say more so than Capitol at the moment! When we first signed to Capitol they said at the beginning that they’d love for us to break the UK first, and that sounded so incredible to us, and that’s exactly how its gone. We played a lot of shows here and tried to get as much radio time as possible, so it’s been very UK focussed. Which is great and I think the reaction’s been good.

Anthony: The British people have been awesome. And sometimes when some people talk about Major labels they have this negative connotation of them like a bunch of fat, old white guys in suits but they’re really more like young, cool, awesome people that we like hanging out with and go have beers with.

Ben: Yeah, really good people.

Tom: Pleased to hear it, now you first came to England in December and been a couple of times since, so you’re obviously enjoying it. You’re getting good air time too, has it got to the being spotted in the street level yet or…?!

Jerm: No, no!

Anthony: Sometimes my moustache does, people just sit there talking to my moustache, they don’t realise there’s a person behind it.

Ben: We haven’t been back to the UK since our single got released. Too Fake was released about a week after we last left, so we haven’t had a chance to see if things have changed much, but maybe more people are aware of us now.

Jerm: We did the Jools Holland show last night too. It was awesome! It was like a dream! We played our first song and we were pretty nervous, but the second song was much better. It was the first time we’ve ever done live TV so it’s a really strange head game. It’s like recording a song that’s going to go out to a million people, in one take.

Anthony: Cat Stevens was there! Or Yusuf Islam as he’s now known. We met him after the show, Brian almost fell over his knees. It was incredible; he even said he enjoyed our music!

Brian: I listened to him on the plane ride over I just love his records.

Jerm: He was awesome, he looks just like a kind old man now; I could walk past him a hundred times and I wouldn’t know who he was, but an amazing voice!

Anthony: Speaking of that; I was always surprised with how well Roger Waters aged, I didn’t see that one coming he was kind of a crazy looking twenty-something, and he turned out like a normal dude! But they’re the Floyd, they can look however the fuck they want.

Tom: Would you guys ideally like to be like that; still playing music in your 60s?

Anthony: That’s pretty presumptuous!

Ben: Hah, I guess that’s the way we’d like to think of it, I know we’ve got a lot of ideas of what we want to do, but you know some people do like one record and people like Neil Diamond can keep making them so we’ll see.

 

 

Hockey will be kicking off their UK shows by playing The Roundhouse on Friday 24th April as part of the Camden Crawl, before heading to Bristol to start their tour with Friendly Fires.

  • For ticket information on their upcoming tour go Here

Hockey’s debut album Mind Chaos will be available from 24th (UK) & 25th April (US)

  • For more information on Hockey visit their MySpace page

 





March 2nd, 2009


The search is on for the UK’s best new unsigned musical talent so fix up, look sharp! Road to V is back and this year is upping the ante. The UK’s biggest and best search for unsigned musical talent, now in its sixth year, is officially open for entries.

So why take part? Two winning acts, as chosen by you, the fans, get to kick start the mighty V Festival this summer, in Chelmsford and Stafford, on Saturday 22nd and Sunday 23rd August.

As if that isn’t a big enough incentive, as part of the competition, ten lucky finalists will also get mentored by, and play alongside, two amazing acts who have been recruited especially for the occasion.

If you fancy yourself as the next hellraising indie outfit, hip-hop heavyweight act, dynamite dance collective or perhaps even the next great soul-shimmering soloist, and want to play to an audience of thousands, here’s what to do:

Head to www.roadtov.com between Monday 2nd March and Sunday 12th April 2009 and register your act, your band or yourself to be in with a chance of winning. Simply upload your best track and tell us a bit about yourselves.

Ten acts will then be selected to go through to the live stage of the competition. The first two finalists will be chosen by the public. Before the two (soon to be announced) artist mentors step in to pick four acts each. All ten acts will then go on to play the same stage as their mentors at The Great Escape festival in Brighton on 14th to 16th May.

The Great Escape this year features headliners such as Kasabian and British Sea Power, with Road to V 2007 finalists Jonny Foreigner joining the Brighton line up. Last year The Great Escape helped break some of 2008’s biggest artists including The Ting Tings, Santigold, Sam Sparro and Vampire Weekend.

The ten lucky finalists and their mentors will also be filmed performing at The Great Escape for the Road to V.  After the Great Escape, the artist mentors will whittle the final ten down to six remaining acts. Then it’s over to the fans to head to www.roadtov.com to decide who wins and gets the ultimate prize of opening one of the UK’s biggest music festivals.

For more information on Road To V visit www.roadtov.com.





December 1st, 2008


Knife fights, street crime and single parent families… it sounds like the backdrop of a quintessential Panorama special as opposed to your NME touting, Alan McGee championing supergroup, also known as Glasvegas. They’ve had a fruitful summer, selling 56, 000 copies of their debut album ‘Glasvegas’ in it’s first week of release and winging their way into the hearts of the nation. In association with music.virgin.com Eleanor Conway Presents: Glasvegas - in a rare insight into the band, the album and how to clean those grubby doors of perception.

Features videos ‘Daddy’s Gone’, ‘Geraldine’, ‘Please Come Back Home’ (and also a wee bit of strong language).

http://www.glasvegas.net

http://music.virgin.com/author/eleanorconway

http://www.eleanorconway.com

****************WIN SIGNED JUSTICE ACROSS THE UNIVERSE DVD*********************

Whatever happens on tour, stays on tour… until now.

THIS IS FOR DIE-HARD JUSTICE FANS ONLY.

I’ve got 3 signed copies of Justice’s Across The Universe (Live CD + Tour footage) to giveaway…

TO ENTER:
Bribe a mate to leave a comment about you on my fanpage wall.

Remember you both have to be fans and the comment must include your name and the word ‘Justice’.
DO IT HERE…..!

I will choose the 3 most original wall scrawlings and get the boys to sign your swag on the next episode of Eleanor Conway Presents: in association with music.virgin.com…
Enter before 00.00 GMT 4th DEC





October 10th, 2008


The musical bastard sons of stunted band ‘Fear of Flying’ are off to the Iceland Airwaves festival next week with deeply lauded and newly formed band ‘White Lies’. They’ll be playing on the same bill as Vampire Weekend, CSS and Simian Mobile Disco.

Eleanor Conway chats to Harry McVeigh, lead singer of White Lies.

EC: What are you guys up to at the moment?

HM: We’ve just been touring around the UK, finished now a couple days ago.

EC: What was the highlight?

HM: Definitely the London show, we all live in West London so we got all of our friends and family down, it was quite a big deal.

EC: Is it true that it’s more nerve wracking performing to people that you know?

HM: In some ways yeah, the only time my parents had seen me perform was at our first show in February and that was shit scary like terrified, this all paled in comparison.

EC: For people that don’t know too much about White Lies, what should they know do you think?

HM: Our music is very epic, ambitious, we try and incorporate different sounds and take our songs into different directions yet they’re all of a very similar subject matter lyrically and sometimes structurally.

EC: You talk of ambition, what would be your ultimate ambition with White Lies?

HM: We’ve already achieved a lot of ambitions as musicians, we’ve made an album we’re really, really proud of, we’ve just finished our first headline tour, and that was a big ambition of mine. It was an amazing feeling to be able to play to people every night that have paid to see you play. So, I think we’ve realized our ambitions already I hope that we can carry on doing it for a number of years and hopefully get out to a wider audience.

EC: White Lies is the musical bastard son of your previous band ‘Fear of Flying’. What happened, why the change?

HM: We started Fear of Flying when we were very young, we were probably 16 or 17 years old, and obviously we had a lot to learn, and we learnt that in Fear of Flying. If you listen to the songs at the beginning to when we started that band and towards the end, there was a huge learning curve, I think we struck upon something unique in White Lies, and we definitely deserved to change the name.

EC: The sound of White Lies is very grandiose and genuinely very cinematic and you’ve been compared to some really amazing people. Does that scare you in the sense that it’s a lot to live up to or does it spur you on?

HM: No it’s a compliment, bands like Echo and The Bunnymen and Interpol we’ve been compared to a lot, are bands that we listen to a lot. I think it’s a really big compliment I’m glad people are making those comparisons it’s a really good thing.

EC: If you could assemble a fantasy band living or dead, who would you put on vocals, on guitar, on drums, on bass?

HM: Oh god that’s a really tough question. Jimi Hendrix has always been our favourite guitarist although you would never hear that in our music, he’s the person that inspired me to pick up the guitar, he was an incredibly talented musician and well ahead of his time so I’d have him on guitar. On drums I’d have Dave Grohl, because one of my favourite bands growing up was Queens of the Stone Age and he made an album with them called ‘Songs for the Deaf’ and his drumming on that is amazing, obviously his drumming in Nirvana was incredible. So Dave Grohl on drums. On bass I’d have….. god it’s a really hard question actually, erm, the Interpol bassist is absolutely amazing he writes very good basslines, I think his name is Carlos Dengler. And on vocals I’d have someone like Bjork, I think she’s an amazing singer.

EC: Ah I love you, I love Bjork…… That brings us to my next question, you’re playing the Iceland Airwaves festival next week, who are you looking forward to seeing?

HM: Oh I timed that in very well….

EC: Yeah good job.

HM: I haven’t seen the lineup, it’s a very mysterious place and festival for me, I’ve never really heard anything about it, I’m really excited to go over, I’m excited to see the country itself….

EC: Well I’ve got the lineup in front of me, CSS, Vampire Weekend, The Young Knives, Robots in Disguise, Simian Mobile Disco, any of those take your fancy?

HM: I’m a fan of Vampire Weekend, Jack our drummer runs a club night and label and introduced them to me early on, I think they are a great band. I think their album is very interesting, they are very clever people. I’ll definitely try and get out and see them.

EC: I think anyone that can write a song about an element of punctuation is definitely good, I didn’t know what an Oxford Comma was before.

HM: I know!

EC: You’re called ‘White Lies’ but what’s the most saintly thing you have done recently?

HM: Oooh that’s a hard question, I’m sure I have done some nice things in the past, I’m not a complete arsehole.

EC: Perhaps expelling your music upon the ears of the youth that’s the nicest thing you have done recently.

HM: (laughs) Yeah, perhaps.

White Lies appear at the Iceland Airwaves Festival on the 18th October 2008.

http://www.icelandairwaves.com/

White Lies site

http://www.whitelies.com/

Words: Eleanor Conway

http://www.elle-online.com





September 3rd, 2008


Ladyhawke looks good on paper, a hot, multi-talented chick with camera happy appeal, wielding a highly strung guitar as the crotch level musical sword it is. Hot on the trail are a mob of followers waiting to be knighted by this mop of feline, fringed, feistiness, wrapped up with tight songs, a tight look, and a tight band - you would imagine this to be a perfect combination. However, this sweet as candy combo wasn’t enough to ignite the flame coloured walls of Koko at the Kiwi tinged Endeavour event last weekend. Firstly, the sound engineer broke every law of sound engineer/ knob twiddling school. Muddy sound and inaudible vocals were on course, only to straighten out for ‘The Checks’ set immediately after.Riding high on the success of ‘Paris is burning’ she is hot on the tip of the release of her debut solo album later this month— imaginatively entitled ‘Ladyhawke’. Named after ’80’s fantasy Rutger Hauer movie ‘Ladyhawke’, stylistically, Pip Brown looks like a cross between Stevie Nicks and Blondie. LH is no pushover, having been indoctrined into music at age eleven and mastering the same number of instruments. So with this and a crowd full of Kiwi homeboys in mind, one could not help feeling a tad dissapointed at her lack of stage presence at Koko on Saturday, she didn’t command the stage like we all wanted her to.

I’d like to use this opportunity to bring up the personal issue of having to endure ‘unknown track foreplay’, which is an annoying wait for the catchy first single at the end of the set, a condition that oddly became obsolete with Michael Stipe favourites and Ian Broudie produced headliners, ‘The Checks’, who owned the stage like an over zealous stage pimp. Stomping all over Koko’s boards, like a antipodean Jolly Green Giant– top shirt button done up all proper. They owned the venue and the crowd giving a world class, electrifying performance (they’ve toured with REM, Maximo Park, The Cribs), as well as converting (me) non Checks believers into believing they’re the best NZ band in the world.

Word.

Ladyhawke—- Check out ‘Paris s’enflamme’ - it’s Ladyhawke in French and it’s tres belle.

Words: Eleanor Conway

www.elle-online.com

www.myspace.com/elleuk

 





September 1st, 2008


Once again I was browsing MySpace and found a VERY unique group by the name of Steed Lord. M.E.G.A, Kali, Demo and A.C. Banana$ make up the unique group from Iceland. Their sound is very electro/house/crunk/techno.
Check them out: http://www.myspace.com/steedlord

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