Tag Archives: Justice


April 30th, 2009


Extraball? What’s this? It sounds like it could be some sort of futuristic term for a space age game involving a sport where competitors fight to the death with a deadly object. Whilst this makes hardly any sense to me at least, there are plenty of other straight forward and exciting things about this release.

Multiple vocalist echo throughout the track that “the time is now”. I’m not entirely sure what it’s time for. Maybe for us all to give up on Twitter on Facebook, look outside and release there’s more to life then a computer screen. Or some global epidemic involving pigs and the flu.

The single Extraball is the lead release from French DJ and producer Yuksek from his forthcoming album Away From The Sea. Although we mock the French for chomping away on frogs and horse, we can’t fault their electronic music output. Lord of the dance Daft Punk and Justice are two duo’s who have made an impression around the world. Yuksek looks set to do the same with this tasty single.

If the single wasn’t enough to make clubbers reach for their glowsticks, there is a host of slamming remix action. The producers may not be household names, but the beats and synths have been tweaked to rival that of any established DJ.

The EP drops in to digital retailers on May 4th. If your old fashioned and like to buy physical CD’s, it will also be in all good record shops.

  • For more on Yuksek visit his MySpace page.




April 7th, 2009


If you’ve happened to stroll into Barfly or Fabric in London in the past year there’s a chance you spotted a duo behind the decks who caught your eye called Filthy Dukes. They comprise of Tim Lawton and Olly Dixon and they’ve been regulars across the London club scene for the past few years but now, not content with just spinning tunes for inebriated hipsters, the duo have put their beats on record in order to allow the less inebriated general public to take a listen.

The result is a baffling mix of dance, hip hop and rock mashing together in a veritable musical tapestry. They’ve been called the British version of Justice and while this is partially true the dramatic mix of vocal content ensures the Dukes stamp their own unique qualities on Nonsense in the Dark. The result is a statement, but let’s sift through the content before deciding whether that statement is mega or meagre.

There are times on Nonsense in the Dark when you’re blown away by the music on offer. Album opener This Rhythm, with guest vocals from Samuel Dust of Late Of The Pier, is a droning dance number with Soulwax’s NY Excuse written all over it. Elevator is pure Daft Punk, a dancefloor filler with robot dancing beats. What Happens Next is more hip-hop orientated with a chorus which almost rivals Justice’s D.A.N.C.E spelling out words to accompany pummelling beats.

After this opening salvo your appetite is sufficiently whet to expect an album of undeniable quality. Yet, frustratingly, the Dukes stutter. You Better Stop is a repetitive dance tune which would work perfectly live but not so on record. Even if the album were one simultaneous flowing body it might work but standing alone it merely loops over and over until conclusion. The same goes for the mundane Cul-de-Sac and Twenty Six Hundred. If you were in a club at 4am these interludes would make sense but on this album they break the momentum making you feel like they are more wasted time than effective breakdowns.

Truth be told the most astounding moments come when the pace is dropped and the Dukes open up a little more. Closing number Somewhere At Sea is a dense, beat laden journey with emotion oozing out of it but it’s the title track which is the star turn of this album. Orlando Weeks of the Maccabees lends his vocals to this track and you couldn’t pick a more perfect accompaniment. It’s punctuated with abrupt beats and a bass line which literally drags along the floor. Everything fits perfectly and despite it being the longest song on the record it’s also the track you least want to end.

The final result is that Nonsense in the Dark shows enough signs of brilliance that the blemishes are easily forgotten. While unquestionably not at the polished pedestal Justice currently sit at, the Filthy Dukes show why nightclub promoters up and down London are clambering for them to fill their dancehalls. Nonsense in the Dark is a bold, eclectic statement which bodes well for the future.





February 2nd, 2009


2008 has been a crazy year and has seen the conclusion of two world defying political campaigns. First we had Obama vying for the best seat in the world, and second we had Eleanor Conway on her campaign to become Virgin’s global reporter in 2009. While Barack started his campaign by going door to door through the United States of America, Eleanor took to the streets and fields of the UK to tout for your votes. Features Justice, Sam Sparro, The Presets, Glasvegas, Elbow.

music.virgin.com/author/eleanorconway.





January 7th, 2009


Blood, breasts and boundless screaming. Not a crazy goth horror porn but in fact the latest DVD offering from the most famous French facial hair wearers in pop music culture - Justice.  With Romain Gavras (the guy behind the controversial Stress video) at the helm of this tour doc slash live CD- DVD combo, ‘A Cross The Universe’ should be a mainstay of any breathing music lovers collection.’Whatever happens in Vegas, stays in Vegas’…? Thank Gaspard for that!!!!! Fresh from the maddest American tour ever, Justice indoctrinate Eleanor into their fluffer cult, we find out why Gaspard can never go to Las Vegas again and also unearth a must see spicy secret in this episode of:

Eleanor Conway Presents: A Little Justice - in association with music.virgin.com

WARNING: lots of extremely inappropriate nudity, swearing and general rock ‘n roll behaviour ensues.

Justice’s site

Eleanor Conway’s site





December 1st, 2008


Knife fights, street crime and single parent families… it sounds like the backdrop of a quintessential Panorama special as opposed to your NME touting, Alan McGee championing supergroup, also known as Glasvegas. They’ve had a fruitful summer, selling 56, 000 copies of their debut album ‘Glasvegas’ in it’s first week of release and winging their way into the hearts of the nation. In association with music.virgin.com Eleanor Conway Presents: Glasvegas - in a rare insight into the band, the album and how to clean those grubby doors of perception.

Features videos ‘Daddy’s Gone’, ‘Geraldine’, ‘Please Come Back Home’ (and also a wee bit of strong language).

http://www.glasvegas.net

http://music.virgin.com/author/eleanorconway

http://www.eleanorconway.com

****************WIN SIGNED JUSTICE ACROSS THE UNIVERSE DVD*********************

Whatever happens on tour, stays on tour… until now.

THIS IS FOR DIE-HARD JUSTICE FANS ONLY.

I’ve got 3 signed copies of Justice’s Across The Universe (Live CD + Tour footage) to giveaway…

TO ENTER:
Bribe a mate to leave a comment about you on my fanpage wall.

Remember you both have to be fans and the comment must include your name and the word ‘Justice’.
DO IT HERE…..!

I will choose the 3 most original wall scrawlings and get the boys to sign your swag on the next episode of Eleanor Conway Presents: in association with music.virgin.com…
Enter before 00.00 GMT 4th DEC





December 1st, 2008


What happens on tour, stays on tour - until now.

I’ve got 3 signed copies of Justice’s Across The Universe (Live CD + Tour footage) to giveaway - See Trailer.

TO ENTER:
Bribe a mate to leave a comment about you on my fanpage wall. Remember you both have to be fans and the comment must include your name and the word ‘Justice’.

DO IT HERE….!

I will choose the 3 most original wall scrawlings and get the boys to sign your swag on the next episode of Eleanor Conway Presents:

Enter before 00.00 GMT 4th DEC

Also congratulations on the three winners of the signed Goldfrapp Seventh Tree competition —- you know who you are! They’re on their way to yoooooooooooooouuuuuuuuuuuuuuuuu………

Keep updated….. find me online (in a non stalker way please)
MYSPACE
| FACEBOOK |YOUTUBE | BEBO | RSS





November 13th, 2008


Came across this trailer. For those that aren’t aware, Justice is preparing to release a CD + DVD package. The CD will be a live disc, while the DVD is a documentary that was filmed during an 18 month tour for the LP, . The dude freestylin’ in the opening bits is off the charts, very ill, better then at least 50% of the rappers out there, guaranteed. Besides the freestyler, other reasons to watch this trailer is cus of the boobies, oh I guess I should say this may be NSFW. I’ve yet been to a Justice concert as I missed them the last few times they rolled through Vancouver. Anyways this is a must cop for any fan out there.

So as Justice were about to tour the USA for the second time, multi-award winning directors and intimate friends of the band, Romain Gavras (“Stress” director) and So-Me (“D.A.N.C.E.”, “DVNO”) taped every second of that 3 week tour that looks like it lasted 3 years. This documentary ain’t about how cool Justice’s live show is (the bonus CD is here for that), but is all about the extraordinary things that can happen when a bunch of frogs gets dropped in dreamy America.

This live CD + DVD release will include recordings of Justice’s signature headbanging live sets along with show footage and various hijinks captured as the band toured the US in March 2008. Screenings of the film will be held in each city around the DJ sets late October.





November 12th, 2008


A long time indie favorite, dance floor rockers The Faint have brought us the undeniable truth about American politics and the daily life of the American middle class with a quirky, tongue-in-cheek approach making use of unforgettable lyrics and striking melodies that no one can shake off. I had the opportunity to speak with Todd Fink, the lead singer of The Faint and am truly pleased to share this conversation with our readers.

As kids, what did you all want to be when you “grew up”?

Todd: Hmmmm… well not sure if I wanted to be anything or even had certain aspirations. Kinda sad, I know [laughter]. But I guess as I grew up I wanted to be a professional skater.

How far did you get with skating?

Todd: Right up to being a pro but then I realized that I wanted to take my time with getting better at skating so that I would have a better chance at becoming a pro with a reputable skateboarding company. I did really well in national youth competitions and stuff.

How did the transition from skateboarding to music happen?

Todd: I had surgery for my knee from arthritis, and found out I couldn’t really skate anymore. But from the experience of doing something that I loved, I gained the passion that transferred into music and if I kept doing it just like with skateboarding, I knew that anything was possible.

How did the members of The Faint all meet?

Todd: Well Joel is a skateboard friend and my bro Clark, I had him around all the time to go skating. The three off us were from the skating scene and started the band. The other guys we just met in Omaha and it just so happened that we all went to the same high school.

Did you think that you would be this successful when you all first started out?

Todd: No. I mean, we didn’t really think about it. The only goal that I remember having was a dream to be able to go out and tour different places and know that however amount of people there would be whether big or small, that they knew our music and it happened bigger than we ever expected. At the same time you are convinced by your own humility and it’s hard to really know which one to believe, the numbers of fans responding to the success is almost a mind fuck.

You boys are from Omaha. How has that influenced your music and your individual creativity?

Tood: I’m sure it has, I mean we’ve all been here our whole lives and I’m sure our opinions in which things we have experienced have affected us. There have been good record stores here and venues that are conducive to small bands performing and it’s not like we lose people to Kansas City or anywhere. The closest place is 8 hours to Chicago. So we are just a bunch of people for whatever reason ending up and staying here, so Omaha has a thriving music scene.

I’ve noticed you have evolved as a band since the days of Danse Macabre, Wet From Birth to your current album Fasciinatiion. Was this planned or something more along the lines of a natural progression?

Todd: Well we sort of base it on our opinions about what sounds good and what makes sense. To do changes over time, based on what music we hear, it’s a natural progression for better or for worse. It’s definitely natural.

People in the past have labeled you as the “new new wave” or “dance/punk.” How do you feel about these labels?

Todd: Labels. People love them, but in general we try not to associate with them since they are fads and catch phrases and no matter how cool they are at the time, people invest too much in the actual label and get tired of them over time. We feel like, “listen and decide for yourself.”

If you were to describe The Faint and your music to an outsider, what words would you choose?

Todd: I’ve had to do this on the plane a few times sitting with strangers [laughter]. I guess I’ve said we play electronic rock music before. It’s pretty general. Or I will say we play songs with keyboards – I try to keep it literal.

Who have been your major influences in the music world and are there any current bands/acts that have caught your attention?

Todd: Fugazi has influenced us. But you take different things from different bands, you know. Sonic Youth, The Clash and David Bowie – bands that have good songs that are unmistakably their songs. The band Late of The Pier, they are pretty awesome and from the UK; they have something there that I relate to for sure. We like that French electronic scene. There is a huge explosion of artistic expression there. We were in France and met with Busy P, Sebastian, Kavinsky, Kasper from Justice, etc..

So any prospects of remixes with them?

Todd: Definitely. But we’ll see, we do have some good remixes that are being worked on including with Boys Noize - Alex, he and DIM did a mix together.

Where did you come up with The Faint as your band name?

Todd: It just presented itself. There was no decision; it just was. We didn’t have a name for a while and it was just kinda assigned to us when we did our first show. On the flyer was a Roman Bailer reference, so we kinda considered ourselves as a band without a name until 1997. We knew it was just going to come to us and it did.

Last but not least, what do you guys spend your time doing when not touring or making music?

Todd: Well, I like to make visual art collages and other artistic things. Also I love playing pool, I love learning science, astronomy etc. We are kinda the NPR and stoned cartoon watching kinda of guys – we can’t help it. When we’re not doing band stuff we still hang out.

Thanks so much guys and I’m looking forward to seeing you guys live at your next show!!! When is the next U.S. tour?

Todd: Our next tour in the States is in two weeks and after that in the Spring.

If you liked this interview, then vote for me here.





October 1st, 2008


On several occasions at Killahbeez, we made mention to German electronica DJ, Alex Ridha aka Boys Noize.  I first came across Boys Noize’s music by way of Kitsune Maison’s only podcast.  The track was a remix to Feist’s “My Moon, My Man” on Kitsune Maison’s 4th CD compilation.  With a very distinct sound and Johnny “Guns” Love’s narrative, I was convinced to seek what other remixes were out on iTunes.  From Justice to Cut Copy, the man’s work is a wide array of epic tunes.  Busy P’s comparison of Boys Noize Records’ efforts to Ed Banger’s is not only a compliment, it’s the truth.  Between production work and gigs, Alex was kind enough to spare several minutes to answer questions we had for him.  Here goes…

Killahbeez: So Alex, can you tell us the origin behind the name Boys Noize?
Boys Noize: I was desperately looking for a “cool” name.  A name to scream and shout after a gig.  A name easy to remember.  A name considered more “prollig”.  A name that sells! A name that expresses the way I feel, the way I play, the way I love,  and MOST IMPORTANT the way I AM.  It had to be outstanding, innovative and timeless, too.  I came up with Laser Face and the single “Face the Laser” but I got into beef with DJ Tiga who wanted the same name for his side project. Boys Noize is actually the worst name because most of the people think of 2 guys and everyone writes the name wrong.  I also have other project names as Puzique, Morgentau, Eastwest, or 909D1SCO too.

KB: Who were some major influences in your career?

BN: Anything from Roule Records, Dance Mania, Kraftwerk and Tresor.

KB: Every dj/producer has a signature sound. How did you come about developing yours?

BN: After producing 10 years you get bored of a lot of sounds and I’m always look for something that surprises me.

KB: How important are lyrics in your tracks?

BN: I dont care about lyrics.  When I dj, I don’t like much vocals either.  It’s not easy to have cool vocals on a banging track.

KB: It appears you’ll be touring most of Asia in the upcoming weeks.  Do you have any plans on returning to the US?  We’d love to have you in DC.

BN: Yeah, I am coming back for sure.  For this year I only have dates in NYC & LA, but I’m gonna make a big tour in March 09…aiaiai

KB: You’ve done a slew of remixes for artists such as Bloc Party, Depeche Mode, Feist and Justice.  What are all the processes involved in a remix?  Who approaches who?

BN: Its always different.  D.Modes manager contacted me saying that one of the band members is a big fan but it can also be the label that reaches out.  Then sometimes I do free remixes because I love the song.  In some cases, I’ll do swap remixes with other artists or you get asked by a friend like Housemeister …

KB: On the topic of remixes, I really enjoyed your version of Phantom. Will you be remixing anymore tracks for Justice in the future?  Perhaps Planisphere?

BN: Thank you! Well, probably not from the recent album…let’s see.

KB: If there is one artist you would like to collaborate with, who would that be?

BN: Gonzales (Note: Gonzales is Feist’s producer)

KB: What can one expect from your live sets?

BN: Fun!

KB: Lastly, what should we expect from Boys Noize for the remainder of 2008 and beginning of 2009?
BN: I’m mixing the next I LOVE TECHNO CD which will be out in October due to the festival.  I’m working on new stuff & collaborations…too hot to mention yet.

Also noteworthy, is the release of Boys Noize Records Volume 1.  Expect top notch floor smashers from Boys Noize, Shadow Dancer, D.I.M., Housemeister, Les Petits Pilous, Siriusmo, Strip Steve, Puzique, etc.  The two cd compilation is now available.  For those in need of a live Boys Noize fix, he will be headlining at Webster Hall alongside A-Trak on October 3rd.  Another reason why I heart GBH.  The “Attack of the Unibros” tour finishes off in Montreal on October 4th.

If you liked this interview please vote for me.

David
www.killahbeez.com





September 11th, 2008


Hey I’m Kate and over the next few days or so I’ll being helping you answer those burning questions such as ‘How was Toronoto VFest 08?’, ‘Didn’t some crazy awesome stuff happen?’ and ‘TELL ME!’ Don’t worry, because yes, I will tell you. Let the adventure begin.

The very first set that I watched last weekend was Mardeen. The cute power-pop boys from Halifax started things off right, light and upbeat. Mardeen aren’t very well known, but still managed to draw a sizable crowd to the TD side stage gaining new fans - including myself! Think Tokyo Police Club but more melodic. I now enjoy listening to them as I bake cookies. Listening to Mardeen is like baking cookies you guys! Check ‘em out.

Tonight they are set to play a show in Toronto for the film festival (good luck trying to get into that gig), but all touring more in Canada this fall. That means you PEI , Sackville, Moncton and Montreal! They’ll be back in Toronto again soon too! Once again check ‘em out!!!

xo Kate

PS: Check out Sarah Brideau (dot com)’s Flickr photostream for more Mardeen photos.

PPS: Attention Justice fans and/or people who are excited about new music releases! Check out the Justice MySpace! I can’t stop dancing along!



by Kate


June 16th, 2008


So after two train rides and a bumpy bus ride I arrive on the marshy doorstep of what appears to a carnival of rave. This is not quiet what I expected which is stupid as the title of the festival was 20 years of techno.

So standing in the cue looking at the program that I had to pay 10 pounds for I was interrupted by the guy behind me peering over my back to see what was on. His name is Leo and he was from New Zealand. He and his Australian girl friend Sarah both lived in London and were very excited indeed to be watching Justice and he couldn’t wait to spend countless hours in the drum and bass tent. I was there for 6 reasons. Crystal Castles, Hot Chip, Justice, Simian Mobile Disco, New Young Pony Club and Boys Noize. Though everyone knew that Crystal Castles was the main reason that I braved my grandmother who hates me and her 12 cats that she stole off the neighbours who live on lawn chairs in her living room.

I decided to stick with my new made cue friends and was eventually inducted into their group which also comprised of Steve, Anna, Dan, “posh” Sarah and Emma aka Kemma, ketamine Emma. We missioned around watched a couple of acts laughed at the ridiculously dressed and were glad that we had gumboots as like any British summer day it was raining. However, the rain soon turned all my dreams into sorrow because the main stage got canceled and the main reason I was there was gone. No Crystal Castles. No Hot Chip. No Chemical Brothers. No fucking Crystal Castles! I was lost, it was 4 in the afternoon and I knew that I had 2 choices. Go home and forget this place of woe and cold cold rain or stay until 6 the next morning and watch the rest of the acts. There were no 2 ways about it. I went and bought another drink.

New Young Pony Club were everything I expected them to be. They were poppy fun and energetic. Though to be honest as I sung my lungs out it was hard for me not to stare in dismay at the lead singers bad perm. Though her cover of PJ Harvey was surprising and the highlight of the performance. Boys Noize was great. He mixed his songs to perfection and added something more to each of his songs. Not surprising as he a 2 and a half hour set to do them in.

Eventually the time came for the big boys - Justice; it was 11 and the cross burnt brightly in the middle of the stage. We went mad. It was a perfect 10 and very surreal. It was hard to think that these two guys were making the music that I drove to in my car for almost a month. They played everything from D.A.N.C.E to We Are Your Friends and even the awful Uffie song Tthhee Ppaarrttyy. But Stress stole the show. I didn’t think it could get better than that. But I was wrong. I always liked Simian Mobile Disco but I’d be lying if I said that it was all pretty much Hustler love. They blew me away. If Justice was a 10 they were a 13 at least, besides taking every song one step further it had to be the lights that mesmerised me. It was so pretty and positively insane, no point at all taking photos as it came across as nothing but a blur but I’ll never forget how amazing it was and made the music even more exciting than I dreamed.

Eventually after some more time in the drum and bass tent (sorry Leo it still sounds all the same) it was finally 5 and time to start heading for the buses, though we took a taxi to the train and then the train died 3 times which resulted in me only got home at 11. I didn’t get to see Crystal Castles and I had never encountered so many rrrrrrrrrrrrrravers but thanks to the beyond awesome friends I made and the acts I did see made it was all worth it in the end. And of all these acts the most unexpected highlight of the entire thing goes to Mark Ronson. I thought I would die when I heard The Smiths’ Stop Me If You Think That You’ve Heard This One Before. I’ve never heard The Smiths so loud. It was amazing though short lived as he then went to remix half of it very very badly but it was The Smiths never the less and on a night when the whole world was lit in neon a little Morrissey goes a long long way. Guess I’m a little more rock a little less rave after all.

For more New Young Pony Club photos like this one - check out www.jerkalert.co.uk’s Flickr photostream




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