Tag Archives: pop


December 2nd, 2008


We live in troubled times. Turn on the news, and all you seem to hear is how the world economic system is plunging further and further into recession. The news is bleak, but many independent musicians can at least take some solace in the fact that they have day jobs to subsidise their musical endeavors. Not so Sydney based artist Sui Zhen.

“I’ve actually just stopped working a full time job so I can concentrate on music.”

Perhaps somewhat intimidating given the current environment, this wasn’t an impulsive move. While Sui Zhen has been making her melodic folk music since at least 2003, it was several years later that she contemplated the pursuit as something of a career.

“Yeah, I’ve been writing for a long time but I guess I was always working and doing music as a hobby until about 2006. It was then I actually spent some money on recording my first Ep and started playing a few more shows.”

“I had finished uni and was about to get a job and started thinking about what I really wanted to do. I think I was just happy enough to do it for myself. But then obviously you start the whole kinda public persona thing, other people start getting interested.”

That public persona provided an opportunity to meet other artists and musicians who have encouraged her to continue writing, offering chances to collaborate and further develop her unique sound. It’s something that has surely helped to keep up the motivation.

“Yeah, I’ve gradually met a lot of really inspiring people locally. Like-minded people help each other out, and everyone’s different but you kind of find the similar minded people in the music industry. You work together, and get inspired by each other and that’s the whole reason you do it in the end.”

Still a daunting move to abandon a guaranteed pay check every week, Sui Zhen remains optimistic about her change of vocation. She has other things in mind too.

“It was good. It was a good move. It took me a while to adjust to the different lifestyle but it allows me to do all this other stuff that I want to do. I’m trying to do a lot of things with the visuals as well.”

“It’s just small kind of stuff at the moment. I’ve just started getting back into drawing and a bit of painting. I like doing small scale visuals, some animations and some drawing but I’m not sure how far I’ll be able to take it. I’d love to be able to make whole music videos but they take a very long time for the kind of style I have. I might work for months and months on one thing and it’d only be twenty seconds.”

While entire video clips might be too time consuming, she has already developed ideas for “projections behind the stage” as she performs live. Her upcoming tour involves a mix of solo performances and shows with a full backing band. Both incarnations will be playing the same songs, and hence keep the same name, but she tells me there are some significant differences between the two.

“With the band it’s more of a band experience it’s not so much a singer songwriter vibe. It’s kinda more like the recording because we can do all those different sounds and stuff but then a lot of people still really respond to the solo shows and I enjoy playing them too. Some people really enjoy just seeing the one person.”

The apex of this tour will see Sui Zhen bringing the whole band along to deliver her full atmospheric sound to the main stage at the Peats Ridge festival. It’s a gig that she looks forward to with a surprising lack of nerves, given she’s never played a festival before.

“Nah, it’s really cool. I’m really excited about that. A lot of my good friends are all playing and I think it’s gonna be a really great festival. It’s part of a festival too, so there’s people who are there anyway so you’ve gotta try and get them to come and watch you.”

That challenge, getting complete strangers to connect with her music seems to be part of the attraction of playing live for Sui Zhen.

“I really like that challenge. That’s probably one of my favourite challenges about performing is playing your first song and drawing people in. I really like watching people if don’t know who the hell you are and then you start playing and kinda getting a bit interested.”

Devoting her time to music, she is currently working on two albums of material. One is a Sui Zhen release, the other a little different.

“I’m writing for a Sui Zhen album which has kinda been a slow organic process but I’m also working with my partner Jamie on a collaborative album together but it’s a bit more experimental so we’re using lots of different sounds from all over the place.”

For more info, including upcoming gigs, head over to Sui Zhen’s myspace.
Musicfeeds - It’s Spanish for awesome!





October 24th, 2008


Sierra Fin’s favourite Eastern European language is Estonian. Not a particularly enlightening piece of information in and of itself, but after listening to the song ‘Blue Day Sun’ from their soon-to-be-released debut EP Shake Stare Sleep I’m quite lost for words. Fortunately, the band had a bit to say as they prepare to make their presence felt on record for the first time.

“Shake Stare Sleep is the first foray into the record world for us as Sierra Fin. Though we’ve each individually released music, it is a giant leap forward musically from our past projects. With each track, as in everything we do, we’ve tried to bring something new to the table, from sonic cacophony to sparse soundscapes all nestled around our simple melodies. We’ve explored lyrically the themes of love, death and society and how the three intermingle.”

Their simple melodies belie a rich tapestry of sound that is more than a little unique, reminding me quietly of the grander moments of Jeff Buckley, or Travis before they started getting all pretentious. Even the explanation of their name has a sublime quality to it.

“It came to me in a dream where I was falling off a mountain that looked like jagged teeth.”

To say Sierra Fin are unique is not to suggest their music is inaccessible, although they do admit initial reactions might be a little confused.

“Confused like an Estonian fisherman who’s just misinterpreted directions, but by serendipitous fortune, they lead him to the catch of the day.”

So what’s the key to building a following while you’re still an up and coming band?

“Play music you enjoy, ignore what the latest hipster tight jeans wearing trend is, and play every gig like you are on the main stage at Glastonbury.”

Their philosophy on music sounds as honest as their songs. I hadn’t even heard of Sierra Fin before last week, but now I’m starting to think their EP launch could be something quite special. The band assures me they have some surprises in store for others thinking of attending.

“This launch is the culmination of more than a years worth of work. Aside from our set, which we will be stepping up by our own standards, we’re making the entire evening a spectacle. From the moment you step through the door you will know this isn’t your average EP Launch.”

“In saying that we have involved an amazing classical guitarist, a quartet of lovely Saxophone ladies plus artists Heidi Elva and Kent Eastwood. All will be intermingling to present a memorable night. And at the perfect setting: The Vanguard sucks you into it’s deep red walls making you feel right at home.”

And then?

“It’ll be a busy time as we ride the promotional roller coaster on the back of Shake Stare Sleep. Our main focus will be organising an EP tour early in the new year. Thoughts of shows at regional schools are on the cards and then we plan to tour Estonia to study the intricacies of the Finno-Ugric languages.”

Catch Sierra Fin for their Shake Stare Sleep EP launch at the Vanguard, Newtown on 12th November. For more info (on the band, not Estonia) point your browser to www.myspace.com/sierrafin

Words: Dan Clarke, Interview: Mikey Carr.

Musicfeeds - It’s Spanish for awesome!





August 22nd, 2008


If ever there was an event awash with ropey media perceptions, surely it’s the spiffy festival we call V.

Last weekend played host to my first ever V, arriving to Chelmsford expecting to dodge cartoon-sized hampers, happy-go-lucky families, tee-total teenagers, and a sickly plethora of pop, all thanks to an indie rag’s festival guide.

However, within minutes of kicking off a tent-pitching session I discovered the V crowd were a leery, cheery, beery bunch not a million miles away from some of my beloved festival crowds.

From then on it was a sure-footed leap into the arena for a live line-up apropos of today’s top notch music offerings. Next year’s diary will undoubtedly have mid-August marked with a big, red, tick-shaped V.

The weekend’s stories and encounters were appropriately caught on film, but the upcoming Reading Festival throws a proverbial spanner in the editorial works. In the meantime nurse the painful wait with this video postcard, which also delineates my V discoveries.

Do check back soon for more of this sort of thing.




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