Tag Archives: The Grates


August 6th, 2008


Splendour in the Grass, day two! Again, we aren’t feeling too shabby which is a little suspcious… we head into Splendour fairly early (well, before midday) and eat some Turkish pizza for breakfast while listening to monks chant, as you do. We check back with the happy campers, just in time to watch the group next to them getting raided by the booze cops. I wonder what they do with all the grog they’ve taken - big massive party at the end? We have a wander around the festival, checking out some ‘So you think you can dance’ breakdancing lessons, and contemplate getting a massage.

We head to the Mix-up tent where we catch the last of ELF’s set for our first dance of the day. Then it’s Slot Machine, and these guys are wicked! They are Byron locals; one of their members is a friend of a friend of the dude we are staying with, and told us to go see them. So we did, and how much fun are they! According to their bio, their gigs inspire group sex… hmm, I didn’t see any of that although you could hear them from the camping ground - who knows what was going on inside those tents! They were sassy, reminded me a bit of Peaches. Another awesome start to the day!

I was keen to see Van She, I’ve seen them twice this year with mixed results. Again, the crowd was very young and Van She were good. But I do think they are better suited to a smaller venue - they’d really kick butt in a club. But they are still quite enjoyable, and I really like their music. They end with Kelly, which is their most well-known single. With some time to kill we hit a few bars, check out the happy herbs tent, do some more people-watching and fashion-policing, and generally just relax and take in the Splendour vibe. What I love about this festival is how laidback it is - it doesn’t have the frenetic pace of the Big Day Out, or the idiots who just come to get pissed.

Time for The Grates, again! Their set starts with the theme to Batman (the 60s TV series), and out comes Patience in her Bat Girl outfit, complete with purple vinyl and a winged cape. The Grates don’t disappoint again, everyone is having a phat old time. My friend describes their gigs as like going to birthday parties, and it does feels that way! Patience rewards the enthused crowd with the label of ‘best Splendour crowd ever’.

A bit of Van She Tech (good stuff) before one of my must-sees take to the stage: New Young Pony Club. A band on the Modular label, these guys have a really defined, unique sound. But this doesn’t quite come across during their performance - I feel like any good band could’ve done what they did. Ty Bulmer has a lot of stage presence, and she works the stage well to ensure everyone gets to experience her vibe. She tries to wake the crowd up, reminding them ‘we flew 42 hours to be here!’ On the whole it’s pretty good, but they don’t blow me away. I want to be blown away dammit!

Then it was time for the Icelandic group, Sigur Ros. Up until now I wasn’t really aware of them - I had heard of them but didn’t know much. I was curious to see what they were like. And I am so, so glad I experienced them because they were amazing, astonishing, incredible and the absolute highlight of the Splendour in the Grass festival. Witnessing their performance was an absolute privilege and they moved me more than words can say. Such haunting beauty, soaring vocals, a majestic mesh of string and wind instruments, perfect arrangements.

Vocalist and lead guitarist Jonsi Birgisson is a revelation. His voice is more than angelic, it’s surreal. He often plays the guitar with a bow. The other members of the band - Kjarton Sveinsson, George Holm and Orri Pall Dyrason are incredible also - the love for their music is so clear on their faces. Sigur Ros’s style of music is pretty much indescribable; they sound like what nature might sound like. Iceland must be a very beautiful and special place. I can’t understand a word of the lyrics (it’s in Icelandic or according to some sources, a variation called Hopelandic I think?), but it doesn’t matter - you can feel what is being sung. My eyes are closed for a lot of the performance, and I even cry a little bit too. When my eyes are open, I see people holding each other close, lost for words, tears in their eyes, totally mesmorised by one of the most special performances any of us will ever see in our lives. I’m sure this all sounds very cliche. But a band that can cast such a spell over a massive festival crowd, move me to tears, is something very special. If something horrible happened and you were only allowed to see one band ever again, then please see Sigur Ros.

After that, we didn’t want to see Wolfmother or The Presets - we didn’t want to ruin the moment. My friend Nat and I walked around, talked, reflected on what we’d just seen, then headed to Tipi Forest for the awesome Olli Wisdom. Nothing like a bit of trance to wind-up a festival… A catch-up with the camper friends, then the walk home into town. Nat said to me afterwards, ‘The thing about Splendour that’s different to other festivals is that there is always a surprise, always something that makes you go, “wow”.’ So, despite the blisters on my feet, the lack of sleep, the bus being massively late and almost missing my flight home, I didn’t care. Sigur Ros were my surprise, my wow.

Photo courtesy of kumakae - check more out on Flickr.



by Mads


August 5th, 2008


A night of no sleep… a 4am wakeup call… a 6.30am flight to Brisbane… the only way is up after that! I am collected from the airport by my friend Nat and her mates Bill and Tegan, and we commence the drive down to Byron for Australia’s premier music festival, Splendour in the Grass. For them, they’ve done this journey many times before. For me, it’s my first Splendour and despite the no sleep and early morning action, I am very very excited. The drive is punctuated by the obligatory stops at Maccas and the bottle-o. I think I speak for all of us when I say the highlight of the roadtrip is the new Tugun bypass, which we wouldn’t even have noticed if Bill hadn’t helpfully pointed it out to us. Thanks Bill haha.

We arrive into Byron, where it’s already starting to get busy on the roads. Cars and vans crawl up the road into town, people making their way to their various accommodations. Byron is completely booked out for the weekend - and I mean completely. Good luck to the folk who rock up without anything booked, hoping to score something. We (sort of) help the guys set up their campsite at Splendour, and have our first experience with the Splendour booze cops (aka security), who are going from campsite to campsite trying to bust people for bringing grog into the camp. We have a couple of very, very close calls, but all good. Others are not so lucky - some festival volunteers tell us a group were searched, the cops called and drugs found. Not good at all, and all before the festival has even started.

Nat and I make it to our accommodation, which is with a friend of a mother of a girl that Nat works with. Get that?! We are very lucky to get a place to stay, all we need is a bed and a shower but it’s good to stay with a nice family. We relax for a bit, then spend an obscene amount of cash at a gourmet grocery store and eat chocolate mousse, cheese, dips and pasta salad until I feel slightly sick. Then it’s time to get ready for the Dew Process pre-Splendour party!

The venue is the Great Northern hotel, a happy pub filled with punters relaxing before the weekend, waiting for the pre-splendour party or watching the footy on the TV. We notice The Galvatrons having a drink and a few laughs, and meet some dude from Melbourne (who I think was trying to score a place to stay for the night!). We have some random chats with a range of people, really nice folk who are sooo happy to be going to Splendour! On our agenda for tonight (our overall aim: “we’re not having a big one”) are Yves Klein Blue, an up and coming young band from Brisbane; Tokyo Police Club, a young Canadian band; and The Grates, who I’ve resisted seeing since I heard of them years ago (and I thought they were kind of annoying), and am now finally about to check them out.

I expected the venue to be more packed, especially considering it was sold out, but it’s nice not to have to fight your way closer to the front of the stage or become part of a whole-floor moshpit. For us, it’s a chance to check out bands that we might not be able to see during the festival due to timetable clashes. Yves Klein Blue - firstly, what a cool name. Named after artist Yves Klein’s famous blue paint that “does not lose its brilliance over time, forever appearing wet and freshly applied”. Let’s hope these dudes can follow suit. They’ve definitely got talent, lead singer Michael Thomlinson has a cool voice and the band have a good indie-rock sound that remind me a bit of The Strokes (with less ego and less polish but more to like). There’s so many good Aussie bands that it’s hard to stand out but I think if they stick it out for the next couple of years, they will do very well. And to get a guernsey on the Splendour bill, well, some people would argue they’ve done well already. A good start to the evening.

Tokyo Police Club are great, really fun and energetic, great rhythm, and the keyboardist Graham Wright kinda steals the show, he’s so into his keyboards - it’s great to watch. They’re a mix of rock, indie, post-punk and pop with a rolling beat and catchy riffs. Thoroughly enjoyable, lots of people get up to dance, and it’s happy times. The numerous vodkas and beers are now starting to, ahem, take effect, so my dancing probably didn’t look as coordinated or as good as it felt.

Then it was The Grates, and it was obvious this was the group everyone was waiting to see. Lead singer and big personality Patience Hodgson is an amazing frontwoman, she’s absolutely gorgeous and lovely. While you appreciate John and Alana and their talent, you just can’t take your eyes off Patience. Looking around, everyone has huge smiles on their dials and dancing with their friends, strangers, anyone really. When Patience does her ribbon routine, she uses the ribbon that Nat’s sister Fo bought for her (just before the gig, Nat gave the ribbon to a friend to give to Patience). They play tracks off their latest album, which I much prefer to songs like Trampoline etc. It’s a more evolved, rockier sound, but still has the fun and freshness of their earlier stuff. I am definitely no Grates expert however - I’ll leave that job to Fo and Nat!

The end of the night comes all too quickly… but those vodkas have really done the job. Not ready to go home we forge on ahead, back to the public bar area and meet some chefs and some boys from Melbourne and so many others that I can’t quite remember… But I do remember the walk (or should I say stumble) home - we must have looked a sight. Tucked away into bed by 2am, it’s not a bad effort. And we had a great night with good tunes and good people. So much for good intentions! Next: Day one of Splendour



by Mads

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